JIM THIELMAN: When The Ragamuffin Becomes Fact, Print The Ragamuffin
John Ford’s “The Man Who Shot Liberty Valence” might be the most aching, life-ain’t-fair western film. Told in long flashback, it ends with a newsman trashing the notes from an interview that revealed who really pinged an ornery outlaw. “You’re not going to use the story?” asks Jimmy Stewart’s tired, flawed hero. The newsman explains, “This is the West. When …